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1 | Book review: the sea of lostgirls |
2 | Share this: (10) |
3 | Like this: (10) |
4 | Book review: agnes |
5 | Book review: metropolitanstories |
6 | New music: madamegandhi |
7 | New music: perfumegenius |
8 | Book review: we are theweather |
9 | Book review: ınvisible asair |
10 | New music: teis*** |
11 | New music: tempers |
12 | Book review: nojudgments |
No | Text |
1 | RATING: ****/5* |
2 | RATING: *****/5* |
3 | Christine Coulson will be appearing at Boston Public Library on November 21, 2019 |
4 | THE SUN STILL BURNS HERE – PERFORMANCE DATES: |
5 | RATING: ***/5* (3) |
No | Text |
1 | “For all the town’s fascination with its dark history–the Indian ma***acres and early colony, the influenza epidemic and lost girls– those stores are meant to be part of the past, told on candlelit ghost tours or sold in glossy paperbacks to be read on rainy weekends the lost girls aren’t meant to come back. |
2 | But here I am.” |
3 | Agnes (2) |
4 | Metropolitan Stories: a novel |
5 | “I am part of the Met’s collection, yet totally invisible.” |
6 | “All the art in the Met could move, but not until it had to.” |
7 | “A major crease in the shoe was Michel’s long-held disinterest in American art.” |
8 | “I had only worked at the Met for a year, but its strange c****tail of confident superiority and tolerated eccentricity had introduced me to a promised land.” |
9 | “For him, the metal echoed with the howls of battles and death and smelled of burning corpses and ravaged flesh.” |
10 | “The Met had convened its club and this benefit to raise money for building the collection felt like its actual dance.” |
11 | FTC Disclosure: I received this book for review from Other Press. |
12 | Visions |
13 | The Sun Still Burns Here |
14 | The Sun Still Burns Here i |
15 | “I imagined an ecstatic pile of bodies preparing to be consumed by the gods. A joyous communal sacrifice of the physical to spiritually level up. The lyric is like a conjuration spell to be sung when the mountain of bodies settles in position and is held still as an offering.” |
16 | We Are the Weather |
17 | “The truth is I don’t care about the planetary crisis—not at the level of belief. I make efforts to overcome my emotional limits: I read the reports, watch the doc***entaries, attend the marches. But my limits don’t budge. If it sounds like I’m protesting too much or being too critical—how could someone claim indifference to the subject of his own book? —it’s because you also have overestimated your commitment while underestimating what is required.” |
18 | Eating Animals (2) |
19 | Here I Am |
20 | “Ninety-six percent of American families gather for a Thanksgiving meal. That is higher than the percentage of Americans who brush their teeth every day, have read a book in the last year, or have ever left the state in which they were born. It is almost certainly the broadest collective action—the largest wave—in which Americans partake.” |
21 | FTC Disclosure: I received this book for review from Farrar Straus Giroux. |
22 | Invisible as Air |
23 | I received a copy of this for review purposes from William Morrow. |
24 | “I wanted to explore the iconography of love in art history through a modern yet romantic lens. Creating stillness and emotive movement to reflect the physical or emotional space in love… vulnerability, numbing immersion, knowing the truth, becoming closer, fighting for it, letting them in…even if it hurts. It’s a conversation between opposing perspectives in a relations***p.” |
25 | “I made this song with two of my closest collaborators – Dev Hynes (Blood Orange) and Noah Breakfast. It came together in pieces between LA and New York but sprouted from the lyrics Dev and I kept on singing – ‘even if it hurts…I just don’t mind’. The concept is really the realization and acceptance that pain is a natural consequence of love. It’s a duet about the ways in which we make ourselves vulnerable to those we love, sometimes at a high cost. The video was directed by Cara Stricker and with an incredible and almost exclusively female creative crew. It features a mult**ude of amazing designers like Collina Strada, Vaquera, Christopher John Rogers, Mugler, Maryam Na***ir Zadeh . I wanted to capture the romantic and melancholic elements of the song but put them in a world that feels removed from the every day, its own little odd paradise where Dev and I existed parallel to one another but never really together.” |
26 | La Linda |
27 | Private Life, |
28 | No Judgments |
29 | The Princess Diaries |
30 | Moonlighting |
31 | I received this book for review from William Morrow. |
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